Kendo Terms

A description of Kendo related terminology

ashi sabaki
Footwork
ayumi ashi
Regular walking/stepping
bogu
Equipment/armor
bokken
Wooden sword
chudan
Middle ready position with sword pointed straight toward opponent's throat
do
The torso or chest protector. In "kendo" it means "path" or "way of".
do uchi
Strike to do
fudo shin
Immoveable Mind
fumi komi ashi
Attack stepping
gedan
Low ready position with sword pointed downward with tip at knee level
geiko
Practice
hakama
Trousers, split pleated skirt
hasso
High ready position with sword held verticle and angled 45 degrees to the rear
hayasuburi
Quick striking
hei jo shin
Calmness of Mind
hidari katate suburi
Left hand only striking
hiki do
Do retreating from tsubazeriai
hiki kote
Kote retreating from tsubazeriai
hiki men
Men retreating from tsubazeriai
hiki waza
Backwards Techniques
hiraki ashi
Diagonal stepping
iaito
Metal practice sword
ji geiko
Free practice
jodan
High ready position with sword held overhead angled 45 degrees to the rear
jogeburi
Large motion striking
kakari geiko
Attack practice
kamae
Ready Stances
kasumi
High ready position with sword held to right of body pointed at opponent's left hand when in jodan
katate tsuki
One hand thrust to throat guard
katate yokomen
One hand diagonal men
keiko gi
Jacket
ken
Sword
ken tai i-chi
Attack and Defense are the same
ken zen i-chi
Kendo and Zen are the same
ki ken tai i-chi
Spirit sword body as one
kihon waza
Basic Techniques
kiri-kaeshi
Exercise that instills proper cut techniques, timing, breating, and kiai. You begin by a big men strike, then doing taiatari. After taiatari (body check, only if both kend?ka are wearing armour), swing the shinai up in a large movement, and beginning with left men, strike alternate left and right men 9 times (4 forward and 5 back). Then move quickly from t?ma to issoku-ito-no-ma (one-step striking distance), and boldly strike immediately. This process should then be repeated.
kokoro gamae
Readiness of Spirit
kote
The hand/padded glove.
kote do
Kote followed by do
kote kaeshi men
Block & counter kote with men
kote men
Kote followed by men
kote men do
Kote men followed by do
kote men men
Kote men followed by men
kote nuki men
Evasion of kote with men
kote suriage men
Deflection of kote, followed by men
kote uchi
Strike to kote
men
The head/face mask.
men debana kote
Intercept of men with kote
men debana men
Intercept of men with men
men kaeshi do
Block & counter men with do
men kaeshi men
Block & counter men with men
men men
Men followed by men
men nuki do
Evasion of men with do
men o tore
Remove your men (do not remove your men prior to hearing this! If the sensei still have their men on, do not remove yours.)
men o tsuke
Put on your men
men suriage men
Deflection of men, followed by men
men uchi
strike to men
mizu no yo-ni
Be like water
mokuso
Deep breathing and meditation
mokuso yame
End of breathing and meditation
nami no yo-ni
Be like a wave
nanameburi
Diagonal striking
ni dan waza
2 Step Combination Techniques
obi
Belt
oji waza
Counter Attack Techniques
okuri ashi
Slide stepping
onegai shimasu
A polite way of saying, "Please teach me."
otagai ni rei
Bow to each other (Students say, "Onegai shimasu")
rei-gi
Kendo etiquette
san dan waza
3 Step Combination Techniques
sei retsu
Line up
sei-gedan
Low ready position with sword pointed toward opponent's knee opposite of where your hands are
seigan
Middle ready position with sword pointed at opponent's opposite shoulder
seiza
Be seated (kneel down)
sensei ni rei
Bow to teachers
shiai geiko
Tournament practice
shinai
Bamboo sword
shomen suburi
Basic striking
suburi
Striking Air
suri ashi
Very small, very fast steps. Feet are "rubbing".
tamashii
Fighting Spirit
tare
Hip protector
tenugui
Towel
tsuba
Sword guard
tsubazeriai
When your shinai and the opponent's shinai are locked together at the tsuba
tsuki
Thrust to throat guard
tsuki men
Tsuki followed by men
tsuki men do
Tsuki men followed by do
waki
Low ready position with sword held pointed backwards at right side
waza
Technique
zanshin
Resolute Will
Based on No Koala! theme by Ross Kendall